Name: Popular Mechanics
Brand: Sam Outlaw

Bonus disc

Bonus disc: No

Catalogue number

LP-ROOTSY-202

{"blocks": [{"data": {"text": "LP-ROOTSY-202"}, "type": "paragraph"}]}

Colour

black

Colour details

Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2022-10-21

Signed copies

Signed copies: No

Supplier US

Redeye

Tax rate US

Sales:8.875

UPC / Barcode

7350050369026

{"blocks": [{"data": {"text": "7350050369026"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

CD-ROOTSY-202

{"blocks": [{"data": {"text": "CD-ROOTSY-202"}, "type": "paragraph"}]}

2022-05-13

7350050362027

{"blocks": [{"data": {"text": "7350050362027"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Sam Outlaw

Genre US

Country 

Label US

Rootsy Music

The ambitious direction of 'Popular Mechanics' may seem like a sudden shift from Outlaw's country-leaning albums, 'Angeleno' (2015) and 'Tenderheart' (2017), which garnered appearances on CBS Saturday Morning's Anthony Mason, NPR, The New Yorker, Wall Street Journal and more, but the gears actually started turning in early 2018 after Outlaw shelved some new material he recorded in Southern California. 

Following his cross-country move to Music City that same year, Outlaw found unexpected inspiration during a visit from his father, a mechanical engineer, and it prompted him to shift his focus to the technological side of music creation. The epiphany came when he connected industrial machines with the role technology plays in recorded music. 

Growing up on the hits of the '80s, an incredible time of transformation in music history, he remembers everything came into focus for the album once he envisioned the title, 'Popular Mechanics.' 

"I’ve always loved '80s music so I started learning about the engineers and music producers from that era, like Trevor Horn, Mutt Lange, Neil Dorfsman," says Outlaw. "It was a time when the producer and the recording engineer were as critical to the creative process as the artists. Those producers pushed the technology to achieve their creative vision because their inspiration was not so much the music of the past, but the possibilities of the future."

Popular Mechanics

Music US