Name: Harp
Brand: PENDANT

Bonus disc

Bonus disc: No

Catalogue number

LP-LBJ-330

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Colour

black

Colour details

Discogs ID

Discs

Download code

Download code: Yes

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2022-04-08

Signed copies

Signed copies: No

Supplier US

Redeye

Tax rate US

Sales:8.875

UPC / Barcode

648401033014

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

CD-LBJ-330

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Download code: No

648401033021

{"blocks": [{"data": {"text": "648401033021"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

LP-LBJ-330LEIEC

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Red/White Vinyl

{"blocks": [{"data": {"text": "Red/White Vinyl"}, "type": "paragraph"}]}

Extended format: Yes

Indie Exclusive.

{"blocks": [{"data": {"text": "Indie Exclusive."}, "type": "paragraph"}]}

648401033090

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1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / red

CS-LBJ-330

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Tape

648401033045

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1 / Extended format: No / Rough Trade Exclusive: No / Signed copies: No / Tape

Artist

PENDANT 

Genre US

Rock-Pop

Label US

Saddle Creek

Los Angeles-via-Oakland musician Chris Adams who makes music under the moniker PENDANT releases his Saddle Creek debut Harp. A lush, surprising new body of work from the producer and songwriter, Harp connects 90s house and rave music with hip-hop, shoegaze, and pop, and which serves as a culmination of years of painful emotional work for Adams brought on by the death of his Father over 10 years prior. Though Harp is Adam’s sophomore album as PENDANT it feels like a starting point. The release of his 2019 debut Through a Coil was marred by the messy, public dissolution of the record label it was released on the day it was to be released. A year later he was burnt out. Attempting to tour the album had been hard on his voice, and the structures of rock music, which had dictated his entire life as a musician, were beginning to feel claustrophobic.

PENDANT’s salvation came, ironically, in the form of the pandemic. Adams was ready to make new music but was both mentally and physically marooned, unable to reach the tools he would ordinarily use to make music or the headspace he would ordinarily inhabit. Without a guitar, the crutch that had supported much of his music-making in the past, he was forced to sketch out Harp’s world in a more impressionistic, free-associative way. Long a fan of dance and electronic music, he was suddenly without any good reason to not venture into that beat-heavy, synth-drenched world. The resulting Harp recalls the precise but emotionally rich landscapes of Arca or Oneohtrix Point Never, rendered in the watercolors of My Bloody Valentine.