Name: The Bath
Brand: Emma Houton

Bonus disc

Bonus disc: No

Catalogue number

LP-TRAPPED-031C

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Colour

blue

Colour details

Cream and Blue Vinyl

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Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Indie Exclusive

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Format Music US

Limited edition

Release date

2021-07-30

Signed copies

Signed copies: No

Supplier US

Redeye

Tax rate US

Sales:8.875

UPC / Barcode

5055869547321

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1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / blue

Artist

Emma Houton 

Genre US

Electronic

Label US

Trapped Animal

Cheap Thrills

Emma Houton is a timeless, celestial voice from New York City. Emma originally wrote <i>The Bath</i> as a piece for eight voices to be performed live. Due to the COVID pandemic, she ended up recording all eight parts alone in her childhood bedroom, mixing and producing it herself. 

On recording the piece, Emma says: “When composing the album I had an interest in recreating the feelings I had hearing folk tales as a kid. We had a giant book of Irish folk tales my grandmother gave me, and I was both fascinated and scared by them! I intended this to be a live performance initially and so the whole album is scored. I write most of my music by constructing layered loops of my voice using a loop pedal and then singing a melody line over them, and I was trying to translate that practice into a live performance in which each “loop” is sung and repeated, creating the effect of looping without actually recording loops. I was hoping to create something where voice is used as an instrument, rather than standing apart from instruments as it often does I took source material from hymns and traditional folk songs, with the lyrics centering on water-related themes like drowning, baptism, and purification, which I tried to reflect in the sonic environment of the piece through enveloping delays, cavernous reverb, and a general sense of being completely immersed in sound. The concept for the piece in its live form is much more of a production than the album itself, which became more of a "how do I record something written for an ensemble alone with an SM58?" project, and I've figured out how to perform these pieces solo with the loop pedal, in a very coming-full-circle turn.”

The Bath

Music US