Name: CMFT
Brand: Corey Taylor

Bonus disc

Bonus disc: No

Catalogue number

A 643531

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Colour

black

Colour details

Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music US

Limited edition

Release date

2020-10-02

Signed copies

Signed copies: No

Supplier US

WEA /­ ADA

Tax rate US

Sales:8.875

UPC / Barcode

075678647598

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Corey Taylor

Genre US

Metal

Label US

Roadrunner

Corey Taylor has announced his widely anticipated debut solo album, <i>CMFT</i>. Additionally, the Slipknot and Stone Sour frontman has shared the album’s first two singles: “Black Eyes Blue” and the video for “CMFT Must Be Stopped” [feat. Tech N9ne &amp; Kid Bookie].

The songs illuminate the broad spectrum of this fiery and fearless rock ‘n’ roll opus, as Taylor touches on lifelong influences ranging from hard rock to classic rock, punk rock to hip-hop. On “Black Eyes Blue” Taylor’s vocals soar with nostalgia, while on “CMFT Must Be Stopped” his rhymes recall his work on Slipknot’s debut record and run alongside bulletproof bars from multi-platinum artist Tech N9ne and UK MC Kid Bookie. The track is joined by a Djay Brawner directed music video, which sees Taylor taking the CMFT championship belt as friends such as Marilyn Manson, Lars Ulrich, Rob Halford, Chris Jericho, ZillaKami and more making cameos. CMFT has been a long time coming for Taylor, with newly written tracks alongside some dating back to his teens. Recorded at Hideout Studio in Las Vegas, with producer Jay Ruston and his band—Christian Martucci [guitar], Zach Throne [guitar], Jason Christopher [bass], and Dustin Robert [drums]— the album traces a wild and exhilarating roadmap through Taylor’s musical psyche. “HWY 666” kicks off the album barreling ahead with a devilish twang, while “Silverfish” peels back the layers of Taylor’s songwriting as acoustic guitars build to a highwire balance of hooks and heft. An ominous bass line gives way to pummeling wah-ed out guitars on “Culture Head” and the moving piano-driven “Home” offers a raw glimpse at Taylor’s immense vocal range.

CMFT

Music US