Name: Clot
Brand: Wax Chattels

Bonus disc

Bonus disc: No

Catalogue number

CT323CD

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Colour

Colour details

Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2020-09-25

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

UPC / Barcode

0817949020392

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

CT323LPC1

{"blocks": [{"data": {"text": "CT323LPC1"}, "type": "paragraph"}]}

purple

Orchid

{"blocks": [{"data": {"text": "Orchid"}, "type": "paragraph"}]}

0817949020385

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / purple

Artist

Wax Chattels

Genre GB

Alternative / Modern

Label GB

Captured Tracks

It is universally agreed that New Zealand’s Wax Chattels are a must- see live act; their hypnotically sinister debut captured this perfectly. Released in 2018 and supported by relentless touring, the eponymous album reached #7 on the New Zealand Album Charts, and release week saw the title feature as number 1 in Rough Trade’s Top 20 New Releases. Tastemakers like NPR and A.V. Club came on as early champions. The album’s success at home and abroad led to the well-deserved nomina- tion of Best Alternative Artist at the 2018 New Zealand Music Awards, as well as the band’s inclusion in the coveted shortlist of finalists for the Taite Music Prize and Auckland Live Best Independent Debut Award. After a knock-out entrée, the anticipation that surrounds their sophomore album, Clot, is immense.

Much like their debut, the writing process for Clot took the best part of a year. While some songs were written on the road, the bulk of the album was workshopped throughout 2019 across bedrooms and storage containers. Demos were fine-tuned before recording engineer James Goldsmith (Aldous Harding, Mermaidens) stepped in. The band maintained the use of only the barest of ingredients — bass guitar, keyboard, and a two-piece drum kit — but spent more time ex- perimenting with and finding new sounds. They wanted to maintain the same live element, but, this time, heavier — for which they enlisted the help of mixing engineer, and fellow noise-maker, Ben Greenberg (Uniform, Destruction Unit, The Men). The keyboards are thicker, the bass more intense. A marked step-up, this new record keeps the visceral energy of the debut, only this time they dig deeper into ca- thartic noise.

At Clot’s center is confrontation. Mindfulness asks do you accept the status quo over forcing tangible change? The vitriolic choruses of Cede are in Cheng’s native language — Taiwanese Hokkien — and are an indignant confrontation about Cross-Strait relations and self- determination. The experience of being a first generation immigrant is expressed in the melodic single No Ties. The song touches on cul- tural differences and the parental sacrifice of careers and support sys- tems to provide a “better” future for their children. The explosive arc of Efficiency describes knowing when to bide your time, and when to push, in which the band treads a line between the explicit and intuitive. This is carried through An Eye, in which the band stresses the physical harm and psychological breakdown emanating from the escalating racial and political uproar throughout the world. Though the band seethes and boils throughout, Clot concludes with a message of hope. Perhaps it’s this capacity for self-awareness that makes Wax Chattels one of New Zealand’s most treasured independent exports.

Clot

Music GB