Name: Next To Pay
Brand: Warish

Bonus disc

Bonus disc: No

Catalogue number

EZRDR130R

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Colour

Colour details

Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: Yes

Format detail

Numbered with Signed Exclusive Photo

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Format Music GB

Limited edition

Release date

2021-05-14

Signed copies

Signed copies: Yes

Supplier GB

Forte

Tax rate GB

UPC / Barcode

603111748016

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1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: Yes / red

EZRDR130

{"blocks": [{"data": {"text": "EZRDR130"}, "type": "paragraph"}]}

black

Extended format: No

Signed copies: No

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Warish

Genre GB

Garage / Surf / Trash

Label GB

Riding Easy Records

With a name like Warish, the San Diego noisy punk-metal trio assured listeners they were in for a maniacal bludgeoning from the get-go. But the band has never been as dark and bitingly vicious as the wholly ominous Next To Pay. The band’s mix of early AmRep skronk, dark horror rock and budget doom antipathy is taken to a whole new level on this 13-song invective. On the title track opener, Hawk screams through shredded vocal chords with the tuneful rage of Kill ‘Em All era James Hetfield and the seething desperation of Kurt Cobain. Original drummer Nick (Broose) McDonnell plays on about half of the songs, while new drummer Justin de la Vega brings an even tighter urgency to the remaining, more recent tracks. Bassist Alex Bassaj joined after the debut album was recorded and here showcases muscular and melodic low end previously missing. Riley Hawk is also the pro-skater son of Tony Hawk. Inspired by early-Nirvana, The Misfits, The Spits and Master of Reality-era Black Sabbath, Next To Pay keeps things heavy and pummeling at all times. The guitars are heavy and powerful, though decidedly not straightforward cookie cutter punk; more like Greg Ginn’s and Buzz Osbourne’s wiry contortions, and occasionally drenched in chorus effects. The rhythms bash right through it all with aggressive force ensuring that nothing gets overly complicated. Warish’s cover of 80s Dischord Records punks Gray Matter turns the emotive flail of “Burn No Bridges” into a Motorhead style basher.

Next To Pay

Music GB