Name: Finally, New
Brand: They Hate Change

Bonus disc

Bonus disc: No

Catalogue number

JAG411LP-C2

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Colour

clear

Colour details

Clear Blue Red Splatter

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Discogs ID

[r23460062]

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Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: Yes

Extended format

Extended format: Yes

Format detail

Format Music GB

Limited edition

Release date

2022-06-03

Signed copies

Signed copies: No

Supplier GB

PIAS

Tax rate GB

UPC / Barcode

656605241142

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1 / Extended format: Yes / LP / Rough Trade Exclusive: Yes / Signed copies: No / clear

JAG411LP-C1

{"blocks": [{"data": {"text": "JAG411LP-C1"}, "type": "paragraph"}]}

green

Coke Bottle Clear

{"blocks": [{"data": {"text": "Coke Bottle Clear"}, "type": "paragraph"}]}

Rough Trade Exclusive: No

656605241135

{"blocks": [{"data": {"text": "656605241135"}, "type": "paragraph"}]}

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / green

JAG411CD

{"blocks": [{"data": {"text": "JAG411CD"}, "type": "paragraph"}]}

Extended format: No

656605241128

{"blocks": [{"data": {"text": "656605241128"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

JAG411LP

{"blocks": [{"data": {"text": "JAG411LP"}, "type": "paragraph"}]}

black

656605241111

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

They Hate Change

Genre GB

Hip Hop

Label GB

Jagjaguwar

ef="https://blog.roughtrade.com/gb/rough-trade-on-the-rise/">Rough Trade On The Rise<b

What's best next. Putting the spotlight on the emerging music worthy of your radar.

At Rough Trade, our passion has always been about seeking out and championing the very best in new music - the most exciting, must-listen-to-right-now bands and artists we think will impress substantial thrills, chills and positive trepidation on our Rough Trade community.

<a href="https://blog.roughtrade.com/tag/on-the-rise/">Explore our curation</a>, including exclusive product, content, events and more.

On The Rise

<a href="https://blog.roughtrade.com/gb/on-the-rise-they-hate-change/">On The Rise: They Hate Change</a>

If it’s really a post-genre world, why does everything sound the same?

The two halves of Tampa rap duo They Hate Change—Dre (he/him) and Vonne (they/them)—first came together in front of the apartment complex where they both lived as teens. Dre had just moved down from Rochester, NY; Vonne was trying to sell him bad weed. It was clear from the start that the two listen to music differently from most people—they’re sonic omnivores, obsessive deep-divers, lovers of rare and radical sounds. Starting as kids trawling the internet for tracks, they’ve been collecting music from around the world and across the decades, amassing a shared sonic knowledge so deep that “encyclopedic” barely begins to cover it—not just the East Coast hip-hop that Dre grew up on, or the hyperlocal bass-music variants like jook (the Gulf Coast’s twerkably raunchy answer to house) and crank (think “Miami bass meets NOLA bounce”), but also drum ‘n’ bass, Chicago footwork, post-punk, prog (they’re, like, seriously into prog), grime, krautrock, emo, and basically any genre on the map. 

Once they graduated to DJs on the Tampa DIY scene—which includes everything from punk rock house parties to the black “teen nights” that pop up in rec centers and ballrooms—they figured out how to pull all these disparate sounds together into a cohesive style. More importantly, they figured out how to make it something people will actually move to. When they made the transition to rapping and making beats, they brought that pleasure-seeking approach to sonic experimentation with them. 

“With this album, Vonne says, “it’s really like, okay, you know how you talk about the internet breaking down borders? Here’s what that actually sounds like. It’s not just a hip-hop record with a couple more weird sounds. You want homegrown DIY? This is a record that was written, produced, and recorded in a 150-square- foot bedroom from the least cool city you could think of.” 

Finally, New is what a truly post-genre musical landscape is supposed to be: building deep connections that transcend outdated distinctions between them, spilling over with the joy of exploration and possibility, and daring other artists to think broader, go deeper, take bigger risks.

Let the rest of them keep playing by the old rules—They Hate Change will keep changing the game. 