Name: Colossal Tunes Out
Brand: The Cravats

Bonus disc

Bonus disc: No

Catalogue number

OVER178LP

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Colour

black

Colour details

Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

With Poster.

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Format Music GB

Limited edition

Release date

2020-12-18

Signed copies

Signed copies: No

Supplier GB

Plastichead

Tax rate GB

UPC / Barcode

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

The Cravats

Genre GB

New Wave / Post Punk

Label GB

Overground

What happened in February 1983 then? Serial killer Dennis Nilsen was arrested, unemployment hit an all-time high, the Mini Metro was Britain’s best selling car and The Cravats released a flipping stonking LP on Corpus Christi Records.

Played to pieces by Peel and hugging the indie chart’s midriff for a good few weeks, every track on Colossal is indeed ruddy enormous. Like everything by these dada-dealing daddios the music is a highly calculated cacophony of pounding drums, behemoth bass and fraught guitars all drenched in sonically deranged saxophone while the songs are surreal stories sheathed in the scenery of their small town English home.

The whole beast is a kind of all you can eat aural entertainment buffet featuring 13 of the band’s best bites of the bizarre. From the frantic psycho surfabilly opener, Off The Beach to the ferocious hornets-in-a-holdall drone of I Am The Dreg, The Cravats employed their entire toolbox of toys when putting this doozy together.

Apart from newly recorded tracks, There Is No International Rescue, Fireman, Terminus, The Station, Icecubists, Daddy’s Shoes and Working Down Underground you got the Small Wonder Records single releases, And The Sun Shone, You’re Driving Me and I Am The Dreg (the version of Off The Beach on here was recorded on a mobile studio positioned in a pig pen next to their practice room down on the farm in Worcestershire. It’s noisier and more unkempt than the Small Wonder single release).

Plus there’s the ‘hit’ single (well, It sold more than anything else they ever did!) Rub Me Out and When Will We Fall, forged by High Priest of Punk, Penny Rimbaud with the aid of Southern Studios sound guru, John Loder which was fired out of the Crass Records canon in 1982. No track sounds like any of its companions but every track sounds like The Cravats.

The original Colossal Tunes Out LP certainly deserves its legendary status and hefty price tag on the rare record resell circuit. It’s good news that Overground Records are putting these tunes out again and it’s great news that they still sound colossal!

Colossal Tunes Out

Music GB