Name: Third Album
Brand: Markus Floats

Bonus disc

Bonus disc: No

Catalogue number

CST152LP

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Colour

black

Colour details

Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Deluxe 180 Gram Vinyl that Includes an Exquisite 12"x24" Art Print Reproduction. 

Format Music GB

Limited edition

Release date

2020-08-21

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

UPC / Barcode

0666561015213

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1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

CST152CD

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0666561015220

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Markus Floats

Genre GB

Modern Composition

Label GB

Constellation

For fans of Vangelis, Dedekind Cut, James Ferraro, Oren Ambarchi, Christian Fennesz, Terry Riley. <i>Third Album</i> is the Constellation debut from Montréal-based multi-disciplinary artist and musician / composer Markus Lake, an active force in the city’s DIY music community who’s been releasing synthetic audio works under the Markus Floats moniker over the past decade – alongside playing bass in wide range of punk, post-punk, experimental and Afrofuturist outfits (including Elle Barbara’s Black Space) and co-founding the local indie music space Drones Club. With a background in Jazz Performance and Electroacoustic Studies, Lake’s solo work is also guided by a painterly sensibility, and informed by a variety of conceptual interests: non-linear narrative composition; sonic simulacra and naturalizing the digital; poptimism vs avant-gardism; the attentive/ceremonial possibilities of 21st century ‘music for speakers’ (and headphones) in a culture of bombast, nostalgia, and immediate gratification. 

The music of Markus Floats might best be described as idiosyncratic aural Abstract Expressionism, where melodic gestures, sequenced pulses, atonal clusters and granulated textures are arranged like shapes and strokes of timbral hue and depth. Using primarily in-the-box midi instruments, along with a handful of samples and field recordings, Third Album is through-composed and atypically but unfailingly expressive – like ruminative action painting in sound. Synthetic notes and chords extrapolate in transitory semi-improvised harmonic and melodic themes, often referencing organ sounds of alternately liturgical and souljazz resonance. The album combines a sort of incantatory, exploratory, desecrated dark lounge with more formal touchstones of electronic composition, where arpeggiators surface and recede amidst shifting drones, distortions and dissonances. The result is a highly original, succinct and lucid set of syntheticelectronic tracks that defies genre: brimming with ideas but not overworked; methodical and discreet but not unassuming or underplayed; deeply integrated in its own ineffable, evocative chronicle of colour, shape and space.

<i>Third Album</i> is a wonderfully distinctive work of leftfield electronic composition and the most distilled music Markus Floats has recorded to date. (In concert, each Floats live performance is specific and unique: he combines his soundscapes with carefully selected spoken word recordings from the black literary canon.) 

Third Album

Music GB