Name: My Frequencies, When We
Brand: Mapstation

Bonus disc

Bonus disc: No

Catalogue number

BB367

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Colour

Colour details

Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2021-02-26

Signed copies

Signed copies: No

Supplier GB

Shellshock

Tax rate GB

UPC / Barcode

4015698510348

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

BB367LP

{"blocks": [{"data": {"text": "BB367LP"}, "type": "paragraph"}]}

black

4015698149067

{"blocks": [{"data": {"text": "4015698149067"}, "type": "paragraph"}]}

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / black

Artist

Mapstation

Genre GB

Electronic

Label GB

Bureau B

<i>My Frequencies, When We</i> is the eighth Mapstation album Stefan Schneider has released since 2000. Recorded between March and August of 2020 in Corona-induced isolation, there is a sonic homogeneity to <i>My Frequencies, When We.</i> For the first time in years, guest musicians are conspicuous by their absence. Schneider himself assumes vocal duties on The City In. He has also pared down his equipment list: an analog tape loop device, Roland 808 drum machine, Novation Peak synthesizer, a guitar. Yes, there are hypnotic African grooves on Flute Channels and the ingeniously rhythmic, imaginary world music of Taro Zing Ta has much in common with Jon Hassell, Marja Ahti or DJ Residue, but these do not reflect the full spectrum. For the most part, the rhythms are as rudimentary as those found in folklore, tottering and stumbling along. There are gentle reminders of kraut-elektronik (Conrad Schnitzler, Cluster, Neu!) and discrete reconfigurations, with the aural current of the Rhineland flowing nearby. 

My Frequencies, When We

Music GB