Name: Lost Themes III
Brand: John Carpenter

Bonus disc

Bonus disc: No

Catalogue number

SBR265CD

{"blocks": [{"data": {"text": "SBR265CD"}, "type": "paragraph"}]}

Colour

Colour details

Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2021-02-05

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

UPC / Barcode

0843563133033

{"blocks": [{"data": {"text": "0843563133033"}, "type": "paragraph"}]}

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

SBR265LPC1

{"blocks": [{"data": {"text": "SBR265LPC1"}, "type": "paragraph"}]}

[r17275024]

{"blocks": [{"data": {"text": "[r17275024]"}, "type": "paragraph"}]}

Extended format: Yes

0843563132869

{"blocks": [{"data": {"text": "0843563132869"}, "type": "paragraph"}]}

1 / Extended format: Yes / LP / Rough Trade Exclusive: No / Signed copies: No / red

Artist

John Carpenter

Genre GB

Soundtracks

Label GB

Sacred Bones Records

Exclusive

Much has changed in the musical life of renowned composer and director John Carpenter since 2016’s Lost Themes II. Following the release of that album, he went on his first-ever concert tour, performing material from the Lost Themes albums, as well as music from his classic film scores. He re-recorded many of those classic movie themes for 2017’s Anthology album, working alongside son Cody Carpenter and godson Daniel Davies. The following year, he was asked to executive produce and compose the music for the new Halloween movie directed by David Gordon Green, which promptly became the highest-grossing installment in the series. Now, he returns with his first album of non-soundtrack music in nearly five years, Lost Themes III: Alive After Death.

Underpinning Carpenter’s renaissance as a musician has been his collaboration with Cody Carpenter and Daniel Davies. They’ve composed and performed as a trio throughout this entire run, on studio albums, on soundtracks, and onstage. Here, the trio reaches a new level of creative mind meld. Richly rendered worlds are built in the interplay between Davies’s guitar and the dueling synthesizers played by the Carpenters. 

“We begin with a theme, a bass line, a pad, something that sounds good and will lead us to the next layer,” John says of the trio’s process. “We then just keep adding on from there. We understand each other’s strengths and weaknesses, how to communicate without words, and the process is easier now than it was in the beginning. We’ve matured.” 

Whereas the original Lost Themes album came as a pleasant surprise after years of relative silence from Carpenter, the third installment sees him in the midst of a resurgent moment as a cultural force. The 2018 Halloween score gave his music its biggest audience in decades, and the world he releases his new album into is one that has, at long last, given him the credit he deserves as a founding father of modern electronic music.

Lost Themes III

Music GB