Name: Mozart Piano Concertos
Brand: Jeremy Denk

Bonus disc

Bonus disc: No

Catalogue number

0075597916874

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Colour

Colour details

Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2021-09-17

Signed copies

Signed copies: No

Supplier GB

Warner Music Group

Tax rate GB

UPC / Barcode

1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Jeremy Denk

Genre GB

Classical

Label GB

Nonesuch

Nonesuch Records releases Jeremy Denk’s <i>Mozart Piano Concertos</i>. Denk is joined by The Saint Paul Chamber Orchestra for two Mozart concertos – No. 25 in C Major, K. 503 and No. 20 in D minor, K. 466 – bookending the composer’s solo Rondo in A minor, K. 511. Denk says of K. 503 in his liner note: “As I write these words… the world as it used to be has vanished, a pandemic world has settled in, and – as we keep telling ourselves – we have to live with uncertainty. Which has always seemed to me one of the key messages of this great concerto, so different from the rest, and so full of the love of its creator. 503 has very few tunes,” he continues. “This may explain why it is not one of the most popular of his concertos… You feel that Mozart is instructing you to listen more deeply, away from ornament, behind the frills, to realize that music is more than an assembly of charming and diverting tunes, to think about ideas beneath the surface, forces and principles. The D minor Concerto is a far more famous and popular piece than 503, partly because it is what it promises to be. If 503 proposes grand, certain chords and then undermines them, 466 takes the opposite approach: it starts from a distilled unease which accumulates into chords and statements, outbursts of anger. A purer tragedy – and a clearer narrative,” he says. Denk says of Mozart’s Rondo in A minor, K. 511, “Mozart wrote so many sad songs in his short life: laments of ardent young tenors, of innocent maids, of jilted Countesses, sorrows across the human spectrum, across class and age and mindset, giving voice to regrets vast and small. But in this case I’d argue he does something different – a piece about the nature of melancholy, a sadness (if you like) about sadness.”

Mozart Piano Concertos

Music GB