Name: Can I Say
Brand: Dag Nasty

Bonus disc

Bonus disc: No

Catalogue number

DIS19

{"blocks": [{"data": {"text": "DIS19"}, "type": "paragraph"}]}

Colour

green

Colour details

Discogs ID

Discs

Download code

Download code: Yes

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-02-18

Signed copies

Signed copies: No

Supplier GB

Tax rate GB

UPC / Barcode

1 / Extended format: No / LP / Rough Trade Exclusive: No / Signed copies: No / green

Artist

Dag Nasty

Genre GB

Punk / Hardcore

Label GB

Dischord

Remastered and features a new green cover and comes with a free mp3 download of the album. The only actual album released with original vocalist Dave Smalley up front until <i>Four on the Floor</i> years later, <i>Can I Say</i> in ways helps mark a turning point between hardcore's straight ahead origins and a more accessible - but just enough - approach that would eventually prime punk's breakthrough in the mid-nineties. Baker's roots in Minor Threat are clear throughout, but at the same time the production, assisted by Ian Mackaye, is actually stronger and crisper than much of that band's work. Call it time or better facilities, but Dag Nasty rocks in a full, smack-out-of-the-speakers way with unbridled energy. Smalley, meanwhile, has a vocal delivery halfway between strident pronouncement and anguished reflection - it's not emo in the original sense of the term (or alternately the late nineties watering down of same), but it's a careful balance just the same. He's not per se a great vocalist, but he does make a commanding frontman, while his lyrics grapple with personal politics in a winning, thoughtful way. The sentiments may not be original, but he phrases them well, never losing sight of the fact that he's singing them and not reciting modern poetry or the like. when the band as a whole just cranks the amps and runs straight ahead with the usual crunch, things are energetic enough without being distinguished. but when baker tries for something more honestly anthemic, the rhythm section follows along well, while Smalley matches the rise perfectly. Check out 'Circles,' which starts normally enough before shifting into more affecting musical gears a minute in, or the fine 'Never Go Back.' There's some good if rough call-and-response vocals on 'What Now?,' the rhythm section in general does the needed job throughout the album, and in the end it all succeeds pretty damn well.

Can I Say

Music GB