Name: God’s Country
Brand: Chat Pile

Bonus disc

Bonus disc: No

Catalogue number

FR129CD

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Colour

Colour details

Discogs ID

Discs

Download code

Download code: No

Rough Trade Exclusive

Rough Trade Exclusive: No

Extended format

Extended format: No

Format detail

Format Music GB

Limited edition

Release date

2022-10-07

Signed copies

Signed copies: No

Supplier GB

Cargo

Tax rate GB

UPC / Barcode

733102722623

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1 / CD / Extended format: No / Rough Trade Exclusive: No / Signed copies: No

Artist

Chat Pile

Genre GB

Metal

Label GB

Flenser

Most anticipated debut full-length from Oklahoma-based noise rock band, Chap Pile. 

Multiple vinyl pressing of the band’s EPs on cult noise rock label Reptilian Records have quickly sold out. There’s a sick irony to how a country that extols rhetoric of individual freedom, in the same gasp, has no problem commodifying human life as if it were meat to feed the insatiable hunger of capitalism. If this is American nihilism taken to its absolute zenith, then <i>God’s Country</i>, the first full length record from Oklahoma City noise rock quartet Chat Pile is the aural embodiment of such a concept. Having lived alongside the heaps of toxic refuse that the band derives its name from, the fatalism of daily life in the American Midwest permeates throughout the works of Chat Pile, and especially so on its debut album. 

Exasperated by the pandemic, the hopelessness of climate change, the cattle shoot of global capitalism, and fuelled by “...lots and lots and lots and lots and lots and lots of THC,” <i>God’s Country</i> is as much of an acknowledgement of the Earth’s most assured demise as it is a snarling violent act of defiance against it. Within its over forty minute runtime, the album displays both Chat Pile’s most aggressively unhinged and contemplatively nuanced moments to date, drawing from its preceding two EPs and its score for the 2021 film, Tenkiller. In the band’s own words, the album is, at its heart, “Oklahoma’s specific brand of misery.” A misery intent on taking all down with it and its cacophonous chaos on its own terms as opposed to idly accepting its otherwise assured fall. This is what the end of the world sounds like. 

God’s Country

Music GB